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KILLOLOGY BY GARY OWEN
DIRECTED BY RACHEL O'RIORDAN
DESIGNED BY GARY MCCANN
LIGHTING DESIGN BY KEVIN TREACY
COMPOSER & SOUND DESIGN BY SIMON SLATER
ROYAL COURT THEATRE LONDON
RUNNING TILL JUNE 24TH 2017
* * * * * THE GUARDIAN
* * * * THE STAGE - Dark as the set may be, Kevin Treacy’s lighting design provides a relentless brightness mimicking the glow of a computer screen.
* * * * WHAT'S ON STAGE - O'Riordan controls the action with a deft hand. It is easy to disengage from a play that is so full of long monologues but she manages to keep things interesting with a haunting score from Simon Slater, while Kevin Treacy's abnormally bright lighting design mirrors the artificiality of Owen's world.
* * * * FINANCIAL TIMES
* * * * EVENING STANDARD
* * * * INDEPENDENT
* * * * TELEGRAPH
* * * * * BRITISHTHEATRE.COM
* * * * ARTSDESK.COM
DIRECTED BY RACHEL O'RIORDAN
DESIGNED BY GARY MCCANN
LIGHTING DESIGN BY KEVIN TREACY
COMPOSER & SOUND DESIGN BY SIMON SLATER
ROYAL COURT THEATRE LONDON
RUNNING TILL JUNE 24TH 2017
* * * * * THE GUARDIAN
* * * * THE STAGE - Dark as the set may be, Kevin Treacy’s lighting design provides a relentless brightness mimicking the glow of a computer screen.
* * * * WHAT'S ON STAGE - O'Riordan controls the action with a deft hand. It is easy to disengage from a play that is so full of long monologues but she manages to keep things interesting with a haunting score from Simon Slater, while Kevin Treacy's abnormally bright lighting design mirrors the artificiality of Owen's world.
* * * * FINANCIAL TIMES
* * * * EVENING STANDARD
* * * * INDEPENDENT
* * * * TELEGRAPH
* * * * * BRITISHTHEATRE.COM
* * * * ARTSDESK.COM
2017 Kevin Treacy
